Good Reasons to Go Digital
Main Features
Digital mixing and processing for live sound has come of age, and there’s no turning back. Throughout the audio industry the most
demanding sound engineers and audio company professionals are turning to digital mixing as a way of enhancing quality, efficiency and
commercial advantage. If you’re planning to upgrade a small or medium-scale analog system, there are plenty of great reasons to go
digital. The Yamaha LS9-16 and LS9-32 are two very good reasons indeed. They offer the most up-to-date and mature digital mixing
capabilities in their class, with an interface that makes operation easy even for the inveterate analog user. They do it in consoles that are
remarkably compact and lightweight – even the LS9-32 can be tucked under an arm and moved around quite comfortably. Just try doing
that with a 32 channel analog console and the racks of outboard gear that would be required to equal the functionality of these digital
mixers. Both LS9-16 and LS9-32 can grow with your needs too; they have a second layer of channel processing power that lets you control
up to another 16 or 32 channels of audio inputs from digital sources and/or analog sources with no compromises on features or quality.
And then there’s the sound. From the acclaimed PM1D digital live sound console right down the line, superlative sound is another reason
discerning professionals choose Yamaha Digital Mixing Consoles for critical live sound applications around the globe.
• 16 or 32 top-performance recallable head amplifiers deliver microphone
and line sources with extraordinary presence and realism.
• An additional 16 or 32 channels of processing power ready to receive
audio via the Mini-YGDAI expansion slots, providing a total of 32 or 64
channels!
• 4 stereo input channels.
• An extensive range of channel functions accessible via Yamaha’s
acclaimed Selected Channel interface.
• Versatile bus architecture with comprehensive digital patching capability:
16 mix buses, 8 matrix buses, and a stereo and mono bus that can be
used in LCR mode.
• Virtual GEQ and effect rack offers easy access to built-in graphic
equalization and effects that would fill a full-size rack or two if similar
analog gear were used.
• Built-in USB Memory Recorder/Player eliminates the need for an external
device for simple off-board recording, and can supply background music
and sound effects as required.
• Full-console scene Store and Recall.
• Ready to use out of the box with pre-patched effects and pre-fader aux
mixes for monitor sends.
• One or two Mini-YGDAI slots for easy system expansion.
• Compact size 480 x 220 x 500 and 884 x 220 x 500 weigh only 12 and
19.4 kg, respectively.
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