Yamaha CVP-206 Manuale del Proprietario Pagina 96

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CVP-206/204
96
Recording Your Performances and Creating Songs
— Song Creator
With these powerful yet easy-to-use song creating features, you can record your own keyboard performances and store
them for future recall. Several different recording methods are available: Quick Recording (page 97), which lets you
record easily and quickly; Multi Recording (page 98), which lets you record several different parts; and Step Recording
(page 100), which lets you enter notes one by one. Songs can include not only the voice settings for the keyboard
performance (Main, Layer, Left), but also the effects and auto accompaniment parts. The recorded song can be stored to
internal memory or floppy disk (page 40, 48).
About Song Recording
There are two methods of recording songs: realtime recording and step recording.
Realtime Recording
This method lets you record performance data in real time. There are two ways to use realtime recording: Quick and
Multi.
Quick Recording (page 97)
This is the easiest recording method, and lets you quickly record the piano
song you are practicing. You can select from three parts: right hand, left hand
and auto accompaniment. For example, you can record only your right hand
performance, or you can simultaneously record both your right hand and the
auto accompaniment.
Multi Recording (page 98)
This lets you record a song with several different instrument sounds, and create
the sound of a full band or orchestra. Record the performance of each
instrument individually and create fully orchestrated compositions. You can
also record over an existing part on an internal song or a song on disk with
your own performance.
Step Recording (page 100)
This method lets you compose your performance by “writing” it down one event
at a time. This is a non-realtime, manual recording method — similar to writing
music notation onto paper. By using the Event List (pages 109 - 111), you can
input notes, chords and other events one by one.
Song Editing (page 106)
The CVP-206/204 also lets you edit the songs you’ve recorded by the Quick
Recording, Multi Recording and Step Recording methods.
When re-recording a specific section of an already-recorded song, use the Punch
IN/OUT function (page 105).
MIN
STYLE
ACMP
MAX
AUTO FILLIN
POWER
ON
OFF
MASTER VOLUME
FADE IN / OUT
METRONOME
START STOP
OTS LINK
BREAK
INTRO
SONG
EXTRA TRACKS
(STYLE)
TRACK 2
(L)
TRACK 1
(R)
REC TOPSTART / STOP REW FF REPEAT GUIDE
NEW SONG
TEMPO
SYNC.START
RESET
MAIN
TAP TEMPO
TRANSPOSE
RESET
ENDING / rit. SYNC.STOP SYNC.START START / STOP
ABCD
DIRECT ACCESS
MENU
DEMO
HELP
FUNCTION
DIGITAL
STUDIO
SOUND
CREATOR
DIGITAL
RECORDING
MIXING
CONSOLE
A
B
C
D
E
BALANCE
PAR T
PAR T
CHANNEL
ON / OFF
12345678
EXIT
BACK NEXT
F
G
H
I
J
VOICE PART
ON / OFF
LAYER
LEFT
LCD
CONTRAST
ENTER
DATA
ENTRY
VOICE EFFECT
REVERB
VOICE
PIANO & HARPSI.
BRASS
MUSIC FINDER
PIANO
DSPVARIATION HARMONY / ECHO MONO LEFT HOLD
E.PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS
WOODWIND
STRINGS CHOIR & PAD SYNTH. XG USER
ONE TOUCH SETTING
REGISTRATION MEMORY
FREEZE
MEMORY
12345678
1234
SONG
EXTRA TRACKS
(STYLE)
TRACK 2
(L)
TRACK 1
(R)
REC TOPSTART / STOP REW FF REPEAT GUIDE
NEW SONG
SYNC.START
DIGITAL
RECORDING
The internal memory capacity of
the Clavinova is about 580KB.
Memory capacity for 2DD and 2HD
floppy disks is about 720KB and
1.44MB, respectively. When you
store data to these locations, all file
types of the Clavinova (Voice,
Style, Song, Registration, etc.) are
stored together.
The microphone input signal (CVP-
206 only) cannot be recorded.
Songs recorded on theCVP-206/
204 are automatically recorded as
SMF (Standard MIDI File format 0)
data. For details on SMF see
page 154.
Playback of the recorded song
data can be transmitted from MIDI
OUT, letting you play the sounds of
a connected external tone genera-
tor (page 141).
The volume level of each channel
of the song can be adjusted from
the Mixing Console and the set-
tings can be saved. Moreover, even
after you’ve set a voice for your
keyboard play during recording,
you can record voice selections, so
that the voice changes automati-
cally during playback (page 108).
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